Lucre for Lucifer

Driving home from Yorkshire yesterday, I listened to Sir Ronald Cohen explaining the Big Society to Eddie Mair. The idea is one he claimed to have invented, long before it occurred to the war crimes suspect in Number 10. The banks, dear things, are going to be funding most of it, for one obvious reason. The State is maxed out on its credit card. So too are businesses and individuals. That only leaves the voluntary sector to be dragged into the mire of debt.

York’s heritage is cared for by a plethora of voluntary organisations. There is the York Civic Trust, sponsors of those elegant enamelled plaques (left) that adorn historic buildings. There is the York Conservation Trust, whose ownership of many historic properties in the shopping streets protects them from unthinking alteration in the name of commercial progress. There is also the York Museums Trust, latest addition to the constellation, which now manages the municipal attractions.

The idea that councils should divest themselves of museums and galleries, libraries and archives, is gathering pace. For much of the 20th century the trend was the other way. The council as the representative body of the community was considered a safe pair of hands, in much the same way that the parish church has served as the obvious repository for a village’s collective past. The tide started to flow the other way with the abolition of the Greater London Council in 1986. Now more and more we inhabit a post-democratic world where shadowy boards of trustees do deals with private philanthropists, whose very existence is a measure of the growing inequalities of wealth.

The war crimes suspect would have us believe that getting the State into debt is bad but getting volunteers into debt is not. Which is unsurprising. Social innovation is a fancy term for dreaming up ever more fiendish ways to extract surplus value. The core contradiction of capitalism is that wages must be kept down to protect profits but incomes must be kept up to fuel the profitable consumption of goods and services. Debt fills the gap.

Debt in turn is a source of profit for those endowed with the mathematical skills to manage it, society willing. Society usually is, even when the calculations go pear-shaped. Occasionally, folk are bright enough to see through the veil and the money-lenders are then punished, for being too clever by half.

One such reaction occurred in York in 1190 when the city’s Jews became the victims of a pogrom. Having taken refuge in the castle (today’s building, left, is later), they all ended up dead, some murdered by the besiegers, most dying in a suicide pact, an English Masada.

Europe’s Jews were hated as usurers but indispensable for that same reason. In the later Middle Ages, others got in on the act, initially by finding ways round the Christian prohibition on usury. Lenders first made money not through the charging of interest but through the manipulation of exchange rates. Out of their profits, the Italian bankers funded some of the world’s greatest art. What we do not see is the other side of the account, the suffering of those through the centuries whose lives have been ground down by debt. Often as not, and as now, the result of deliberate government policy.

Northumbria’s Capital

A weekend away. In Yorkshire. My association with York goes back to a holiday in 1975 and when I lived up north I visited many times, twice as a member of the Yorkshire Ridings Society. Every year on Yorkshire Day – the first of August – members walk the city walls to read out at each of the mediæval gates or Bars a declaration that the historic Yorkshire and its Ridings continue to exist, whatever folk in London may decree to the contrary. The Yorkshire Declaration of Integrity is read four times at each Bar, in each of Yorkshire’s ruling languages down the centuries – Latin, Old English, Old Norse and modern English. Norman-French is missing, but no-one wants to talk about the Harrying of the North. The readings take place first outside Micklegate Bar, to the West Riding, then Bootham Bar to the North Riding, inside the walls at Monk Bar to the City & Ainsty, finishing beside Walmgate Bar with an address to the East Riding (except that now a further reading takes place in the city centre). The ceremony began in 1977, the 1100th anniversary of Yorkshire’s formation by the Vikings, and each year it starts one minute later to mark the onward march of time. So much imagination crammed into one expression of pride of place must be without equal. It would be good to see others try.

York does imagination. Its four major mediæval Bars now have five big siblings, the park-and-ride sites around the outer ring road that mark the modern points of arrival – Askham Bar, Grimston Bar and Rawcliffe Bar, plus two more with longer names that lack the Bar label. Masterpieces of modern design they are not but they are the product of careful thought nonetheless. The car park at Askham Bar is shared with a supermarket and a day nursery and with proper foresight is sited next to the East Coast Main Line. Trains in the livery of Northern Rail whizz by, a glorious provocation both to those who would have all trains run from London and to those whose imaginative powers fall short of visualising Northumbria Restituta.

One of the city centre’s most delightful spots is Holy Trinity, Goodramgate, its leafy churchyard surrounded by the old high brick walls of buildings that front onto busy shopping streets. One such wall is formed by Our Lady Row, a terrace of timber-framed properties dating from 1316, their upper floors jettied over the pavement of Goodramgate. Inside the church, now redundant, are mediæval stained glass (above) and a fleet of Georgian box pews, bobbing on uneven floors. Every city needs somewhere like this. It makes a refreshing change from the usual litany of granite benches, concrete spheres and ill-placed fountains.

And so to the Minster (left). Rehearsals for a rock concert were underway. ‘Spawn of Satan’ or some such band. During the war, the glass was taken out of the windows in case it was shattered by blast. It might have been a wise precaution on Saturday, judging by the volume. High on the nave ceiling was pointed out to me the roof boss depicting the Ascension: the soles of two feet disappearing into a cloud. Easy for some. For mere mortals, there was no escape from the power of the amps, even below ground. And below ground is the most interesting part of the Minster.

The Undercroft is the result of engineering works 40 years ago to stabilise the tower. Winding its way between the concrete plinths run through with reinforcing rods is an archæological trail reaching back to the Roman headquarters building where Constantine was proclaimed emperor in 306. I remember when the Undercroft was new and I remember the impression it made upon me. Continental equivalents are numerous. Notre Dame and St Denis at Paris, the Duomo at Florence and the Vatican at Rome all attempt the same presentation of the history beneath our feet. Other English cathedrals must surely be capable of the same, the opportunity patiently awaited.

Foremost among the treasures displayed beneath the Minster is the Horn of Ulph. The man himself was an Anglo-Danish landowner, who gave his estates to the Minster shortly before 1066, reportedly to prevent his sons squabbling over them. The horn came with them as the ‘title deeds’. There are other examples of this custom from Wessex, the Pusey Horn and the Savernake Horn, both now detained in London museums, but the Horn of Ulph remains with its grateful recipient. It is documented only from the 14th century but the object itself dates without question from the 11th. It is actually a tusk of elephant ivory, carved at Salerno in Italy, possibly by Arab craftsmen since it carries Asian motifs. We may ponder what other treasures, now lost, a small world might have delivered to England’s largest county a millennium ago.